Hardcore action, romance and politics, April has a lot to offer!
'This film is a product of a dangerous trend to take just a sprinkling of truth, mix it with free-flowing speculation and present it as historical facts,' says Manavi Kapur.
These movies may or may not have got critical acclaim, but when it comes to sheer eyeballs, these films did their job rather well.
Love was certainly in the air, as Bollywood's star couples celebrated Karva Chauth together.
Check out the star arrivals.
'The most difficult thing in the world is to convince someone to put Rs 20 crore on your movie script.'
'Life is so unpredictable.' 'Devastating beyond words.'
A look at the awards night.
True misogyny is when you stop being curious about women, and Milind Dhaimade directs his actresses with a sense of wonder. Tu Hai Mera Sunday has delightful women characters, sketchy men, and individual threads that work better than the whole package, feels Sreehari Nair.
'Mulk gets a lot of things right, including its vision of the country as a place where underneath the punctilious, forced-secular surface there are volatilities waiting to go off,' says Sreehari Nair.
'If anybody wants me to act in their film for free, just make me sing all the songs!' 'I don't even care about the script.'
'Peddlers isn't a movie of grand cinematic achievements, but one of small yet startlingly original victories.'
Aseem Chhabra's take on the highlights of Indian cinema this year.
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